The minimalist, block-shaped forms of several LSA International collections take inspiration from Brutalist architecture.
Metropole collection decanters, pictured left to right: Malmo, Battersea and Kiev
A modern architectural style
Brutalism gained momentum in the 1950s, catalysed by the requirement for rapid yet inexpensive construction after the war. Derivative of béton brut – meaning raw, unfinished concrete – Brutalism’s architectural honesty echoes the socialist ideals of the post-war era. Brutalist architecture signifies a departure from the ornate decoration and perceived elitism of previous styles. Materials are raw and forms unrefined, deliberately revealing the utilitarian elements of the building. Structures are typically stark and linear – a framework of concrete slabs, boxy windows and exposed steel, creating austere facades with an imposing, monolithic quality.
National Theatre, London (photo by Simone Hutsch)
The minimalist, block-shaped forms of collections such as METROPOLE, VODKA and MODULAR take inspiration from Brutalist architecture. Mouthblown glass and natural wood in geometric shapes, without decoration, highlight the clarity and quality of the raw materials.
Battersea Power station, London (photo by Simone Hutsch)
The slim necks of Metropole decanters
METROPOLE’s distinctive angular and interlocking shapes are inspired by the profiles of Brutalist structures such as London’s Battersea Power Station and Malmö’s Hyllie Water Tower. The MODULAR series of rectangular vases reference the precision and simplicity of Brutalist construction. Each block-shaped form can be combined with others in the collection to create a skyline of varying heights and proportions.
Monika Lubkowska-Jonas and father, LSA co-founder Janusz Lubkowski
The thick slab bases of glasses and boards in the VODKA collection evoke the mass of Brutalist architecture in the Eastern Bloc – where the collection’s eponymous spirit itself originated.
Glasses from the Vodka collection
Photo by Uve Sanchez
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